i like the marimbas from this song of singer Sekou Kouyate from Mali /Africa.
Nima Taama
i like the marimbas from this song of singer Sekou Kouyate from Mali /Africa.
Nima Taama
Inna Modja, born in 1984 in Bamako, Mail, is a pop and dance-pop singer. Listen to her nice french #1 single “
“:Recorded at Studio Mali in Bamako, in the autumn of 2012, Samba is joined by his regular band members Djimé Sissoko (n’goni ) and Madou Sanogo (congas, djembe) and guests such as the legendary, master of the soku (a one-stringed violin) Zoumana Tereta and the fast-rising Malian neo-traditional singer Aminata Wassidje Traore. Additionally, Hugo Race (The Bad Seeds, Dirtmusic, Fatalists) contributes an array of subtile atmospherics on guitar and keyboards. (youtube)
Translated lyrics:
Be Ki Don (Everybody Dance)
Song of celebration. When an artist enters a court or a village, the people gather to sing and dance.
Men know that Samba arrives
Women know that Samba arrives
Children know that Samba arrives
Everyone welcomes Samba Touré.
Why do you not talk together?
Brothers and sisters, couples, talk to each other
Not just on happy days
Life lasts only a few days, be united.
Men know that Samba arrives
Women know that Samba arrives
Children know that Samba arrives
Everyone welcomes Samba Touré.
Manjul is the pseudonym of Julien Souletie, an artist and Dub musician , born in 1976 in the eighteenth arrondissement of Paris. After many years in the islands of Mayotte and Reunion he lives since 13 years in Mali.
Here is his song “Mabeya”
This is a song from Amadou & Mariam, musical duo from Mali, formed in 1974. Amadou lost his vision at the age of 16 while Mariam became blind at age 5 as a consequence of untreated measles[wiki]. Here’s their nice song “je pense a toi ” ( I think of you ! really a nice love song )
Tinariwen (plural of ténéré “desert”) is a band of Tuareg-Berber musicians from the Sahara Desert region of northern Mali.
Imidiwan Ahi Sigdim
Rokia Traoré (born January 24, 1974 in Kolokani, Mali) is a singer from Mali. 1997 she met the musician Ali Farka Touré Traoré , who was an important inspration for her . In 1998, she recorded her first album.
From her album “Beautyful Africa” here is her song “Kouma”
….. The opening track to the LP, “Leli”, immediately launches into the big brass sound and ostinato lead guitar which identify Mystère Jazz’s Malian style. The brass and guitar sections are also teasers for later solo passages – and what solos they are. Malian music of this period is renown for the quality of the lead guitar solos (e.g. National “A” Orchestra, Orchestre Regional de Kayes, Super Djata Band, etc) and Mystère Jazz are right up there with the best. ….
Info from : http://www.radioafrica.com.au/
what a great sound
Boubacar Traoré (born 1942 in Kayes, Mali) is a renowned singer, songwriter, and guitarist. Traoré also goes by the nickname Kar Kar, “the one who dribbles too much” in Bambara, a reference to his soccer playing: “a nickname I got from playing soccer when I was young. People would yell ‘Kari, Kari’ – dribble, dribble – the name stuck with me”.
Considered as a bluesman in the western countries, Boubacar Traore, is above all someone passionate whose music distils emotions and dreams with simplicity and precision. His powerful and warm voice sings his country’s history, the hope and despair of the Malian people, their love and expectations, the world surrounding them – striking melodies, all inspired from the Kassonke Malian tradition in which he has always bathed in.
His inimitable style warmhearted as well as wistful can be heard on his latest album, “Kongo Magni” released in 2005 by the label Marabi. Boubacar’s fame takes roots in the 1950s. He entertains the Malian post-independence days, when Bamako dances to “Mali Twist” or “Kabeya”. Here is the song “Mariama”
Mounira Mitchala is singer and song-writer from Chad. Mounira Mitchala ’s watchwords were now determination and pleasure. In spring 2011, she recorded her second album in Paris: Chili Houritki (Take Your Independence).
Backed by the musicians who usually appear with her on stage and bassist Guy N’Sangué, the young woman’s powerful voice and rough, sensual timbre weave their spell around songs based on everyday life in Chad. In that part of the Sahel, which straddles sub-Saharan Africa and the Arab world, issues of drought, desertification, access to water and malnutrition are compounded by poor governance and endemic corruption. Although she is not a protest singer as such, Mounira observes and condemns. The injustices women are subjected to are among her main concerns. Outraged and determined to fight on, she brings the same talent and conviction to her struggle for dignity as her Malian sister Oumou Sangaré.
Although based on the beats and colours of traditional genres, her melodies are firmly contemporary. In ballads brimming with emotion, Mounira’s voice grows gentler and smoother. Camel Zekri’s arrangements, which focus on acoustic sounds, perfectly showcase this remarkable timbre, this desert folk blues so beautifully expressed by Mounira Mitchala. Here is the song “Choukrane”