Kilindu is a portugese Latin, Latin Jazz , World Music, Fado , Afro Cuban band of six musicians. Pedro Duarte, João Pedreira, Quim Preto, Pantera Pitra, Ivan Pedreira, Tiago Simão conceived a musical bridge across continents from Europe (Portugal), to America (Brazil) and to Africa (Angola). Now they’ve come together to create their own music, resulting in a very active online fan base working hard to spread the music. It’s their support allowing them to play gigs such as Optimus Alive 2013, where they supported the big bands like of Kings of Leon. Whether it’s Portuguese ‘Fado’ music, Cape Verde’s traditional ‘Morna’, Brazilian ‘Samba’ or Cuba’s ‘Habanera’, it is a blend of Latin jazz and Indie World Music traditions that serves their debut single well and makes them unique. Have a listen to their great single “O Que o Futuro Nos Traz”.
The Cinematic Orchestra is a british jazz and electronic band formed in 1999. Refound them today and listened to many of their interesting pieces. Really like these downtempo and nu jazz songs! Have a listen to their great dreamy song “To Build A Home”:
Antoine Wendo Kolosoy (April 25, 1925 – July 28, 2008), known as Papa Wendo, was a Congolese musician. He was considered the “Father” of Congolese rumba music, a musical style blending rumba, beguine, waltz, tango and cha-cha.
Wendo was born in 1925 in Mushie territory, Mai-Ndombe District of western Congo, then under Belgian colonial rule. His father died when he was seven, and his mother, a singer herself, died shortly thereafter. He was taken to live in an orphanage run by the Society of the Missionaries of Africa, and remained there until he was 12 or 13, expelled when the fathers disapproved of the lyrics of his songs. Wendo began playing guitar and performing at age 11.
Kolosoy became a professional singer almost by chance after having worked also as a boxer, sailor and longshoreman in Congo, Cameroon and Senegal. From 13 Wendo traveled as a worker on the Congo River ferries, and entertained passengers on the long trips. Between 1941 and 1946 he traveled as a sometime professional boxer, as far from home as Dakar, Senegal. Here´s his song “Camille ”
Les Beignets are a great reggae and soul band from Holzkirchen, Germany. Listen to their latest song “Darth Vader”:
More about this band here
Piirpauke is a Finnish band that combined elements of early folk and jazz in their music. The band was founded in 1974 by multi-instrumentalist Sakari Kukko.
The band had some commercial success with the songs Konevitsan Kirkonkellot, Soi vienosti murheeni soitto, Swedish Reggae and Imala Maika. Over the years, 20 albums have been released.
Antibalas founded 1998 (Spanish for “bulletproof”) is a Brooklyn-based afrobeat band that is modeled after Fela Kuti’s Africa 70 band and Eddie Palmieri’s Harlem River Drive Orchestra. Although their music generally follows the musical architecture and language of afrobeat, it incorporates elements of jazz, funk, dub, improvised music, and traditional drumming from Cuba and West Africa.(wiki)
Here is their song “Uprising”
Gasandji is a congolese alternative, soul and jazz-fusion musician. Listen to her nice piece “Na lingui yo”:
Listen to the song “One in a Million” by Katerine Duska, born in Montreal to greek parents, and now living in Athens. Her music includes elements of indie pop, indie folk, neo-soul and blues elements and is led by her amazing voice!
Steve Gorn (* in New York City) is an American jazz and world musician (soprano saxophone, flutes).
Gorn studied composition at the Pennsylvania State University. Under the influence of musicians such as Bismallah Khan, Ravi Shankar and Ali Akbar Khan, his interest in Eastern music was born. In 1969 he went to Benares, where he met the Sarangimaster Gopal Misra and then in Calcuttahe was student of Bansurimaster Gour Goswami
….. The opening track to the LP, “Leli”, immediately launches into the big brass sound and ostinato lead guitar which identify Mystère Jazz’s Malian style. The brass and guitar sections are also teasers for later solo passages – and what solos they are. Malian music of this period is renown for the quality of the lead guitar solos (e.g. National “A” Orchestra, Orchestre Regional de Kayes, Super Djata Band, etc) and Mystère Jazz are right up there with the best. ….
Info from : http://www.radioafrica.com.au/
what a great sound